There is a vaporous mood in this one; ether and suspended blood cells. Hard to know where to point one’s eyes sometimes.
I don’t have a problem with others signing their work, but for me adding my signature to a painting, after working to create a balance of marks, can feel like an invasive afterthought. So I’ve started signing a canvas as soon as I start the painting, then signing it again periodically throughout the process of making a painting. That way the signature feels more a part of the painting process and not something jammed on like a mic-drop at the end. In “Don’t Go, Flo” you can see a little swarm of initials in the bottom right.